Eddie is a goldsmith who works mainly on high-end commissioned pieces - you can see some of his work here. I'm a regular visitor to the studio, and it always fascinates me to observe how his work progresses from initial sketch to beautiful, hand-finished, often mirror-polished artefact. The metalworking techniques he uses are often hundreds of years old - his hands here could be those of an artisan from the nineteenth century. So could many of his tools. His jewellery is clearly contemporary, custom-made for modern individuals. But I like the way the making of it and the wearing of it belong to such a strong and wide-reaching tradition. Nothing is really new.
Showing posts with label makers. Show all posts
Showing posts with label makers. Show all posts
Sunday, 19 April 2015
Goldsmith
There's something compelling about watching people making things. I took my camera into the studio of my friend Eddie Doherty for a series of black and white images of his work as a maker.
Eddie is a goldsmith who works mainly on high-end commissioned pieces - you can see some of his work here. I'm a regular visitor to the studio, and it always fascinates me to observe how his work progresses from initial sketch to beautiful, hand-finished, often mirror-polished artefact. The metalworking techniques he uses are often hundreds of years old - his hands here could be those of an artisan from the nineteenth century. So could many of his tools. His jewellery is clearly contemporary, custom-made for modern individuals. But I like the way the making of it and the wearing of it belong to such a strong and wide-reaching tradition. Nothing is really new.
Eddie is a goldsmith who works mainly on high-end commissioned pieces - you can see some of his work here. I'm a regular visitor to the studio, and it always fascinates me to observe how his work progresses from initial sketch to beautiful, hand-finished, often mirror-polished artefact. The metalworking techniques he uses are often hundreds of years old - his hands here could be those of an artisan from the nineteenth century. So could many of his tools. His jewellery is clearly contemporary, custom-made for modern individuals. But I like the way the making of it and the wearing of it belong to such a strong and wide-reaching tradition. Nothing is really new.
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